Dublin stage, 1720-1745 a calendar of plays, entertainments, and afterpieces by Greene, John C.

Cover of: Dublin stage, 1720-1745 | Greene, John C.

Published by Lehigh University Press, Associated University Presses in Bethlehem, London .

Written in English

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Places:

  • Ireland,
  • Dublin

Subjects:

  • Theater -- Ireland -- Dublin -- Calendars.,
  • Theater -- Ireland -- Dublin -- History -- 18th century -- Sources.

Edition Notes

Includes bibliographical references (p. 403-409) and indexes.

Book details

StatementJohn C. Greene and Gladys L.H. Clark.
ContributionsClark, Gladys L. H., 1900-
Classifications
LC ClassificationsPN2602.D8 G7 1993
The Physical Object
Pagination473 p. ;
Number of Pages473
ID Numbers
Open LibraryOL1568829M
ISBN 10093422322X
LC Control Number91058886

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The Dublin Stage, is a comprehensive documentary history and calendar of Dublin, Ireland's theatres fromthe year of Joseph Ashbury's death, towhen Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre.

During the eighteenth century, Dublin was second only to London in the number. The Dublin Stage, is a comprehensive documentary history and calendar of Dublin Ireland's theatres fromthe year of Joseph Ashbury's death, towhen Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre.

The Dublin stage calendar referred to will appear in the first volume (co-authored with Mrs. Clark of The Dublin Stage,covering the years The book continues the work of the late Prof. Clark whose The Early Irish Stage, The Beginnings to (Oxford, and The Irish Stage in the Country Towns.

(5) William Smith Clark's The Early Irish Stage () got the basics right up toand in the publication of John C. Greene and Gladys L. Clarks The Dublin Stage, vastly improved access up to the point at which Dublin theatre really started to flourish.

(6) The rest of the century remained a dark continent, so to speak. "The Dublin Stage, is a comprehensive documentary history and calendar of Dublin Ireland's theatres fromthe year of Joseph Ashbury's death, towhen Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre.

Capel Street Theatre was an 18th-century theatre located on Capel Street in Dublin, Ireland. The Capel Street Theatre had two distinct periods in its history.

The first theatre on the site was called the 'New Theatre in Capel Street' or 'City Theatre in Capel Street' and was built by William 'Harlequin' Phillips on a strip of land 50 feet by feet that he leased on the West side of Capel.

John C. Greene, ‎Gladys L. Clark, The Dublin Stage, (page 58) " Flyings " could vary considerably in complexity and lavishness and could involve an actor or property being either lifted from the stage into the flies above or vice versa.

The Dublin Stage, A Calendar of Plays, Entertainments, and Afterpieces it was ok avg rating — 1 rating — published Want to Read saving /5. Volume 2 of The Cambridge History of British Theatre begins in with the restoration of King Charles II to the throne and the reestablishment of the professional theatre, interdicted sinceand follows the far-reaching development of the form over two centuries and more to Irish Theatre Journals- Manuscript Collection Number: possibly for a book or articles on the history of theater in Dublin.

The Dublin Stage,a calendar of plays, entertainments, and afterpieces. Bethlehem: Lehigh University Press. John C. Greene has 20 books on Goodreads with ratings. John C. Greene’s most popular book is The Death of Adam: Evolution and Its Impact on Western T. Life. The son of James Sterling, he entered Trinity College, Dublin as a scholar ingraduating B.A.

in and M.A. in In that year he went to London with his friend Matthew Concanen. In November Sterling took a living in Anne Arundel County, was from the minister of the Episcopal St.

Paul's Church near Chestertown. His ministry lasted toand saw the. (theater) The primary play or other work performed at an evening's entertainment at the theatre, as opposed to smaller introductory or additional works.John C Greene & Gladys LH Clark, The Dublin Stage, –, p.

A typical evening at the principal Dublin theatres could extend over five or six hours and consisted of a mainpiece. A Checklist of New Plays and Entertainments on the London Stage, ‐ I By William J. Burling. The Dublin Stage, –' A Calendar of Plays, Entertainments, and Afterpieces.

By John C. Greene and Gladys L. Clark. Sir John Vanbrugh: A Reference Guide. By Frank McCormick. National Theatre in Northern and Eastern Europe, I Subtitle The play in question is Concanen’s Wexford-Wells, which was performed at Dublin’s Smock Alley Theatre on November 7, Lewis Layfield played the role of Inn-Keeper (The Dublin Stage, A Calendar of Plays, Entertainments, and Afterpieces, p.

94). 7 Sot “One who dulls or stupefies himself with drinking” (OED). The Dublin Stage, A Calendar of Plays, Entertainments, and Afterpieces Similar Authors To John C.

Greene Elizabeth Chiseri-Strater. ROBERT D. HUMEBibliography (December ) Born 25 July B.A. Haverford College, Ph.D.

University of Pennsylvania, Evan Pugh University Professor, The Pennsylvania State University, Edwin Erle Sparks Professor of English Literature, The. a History of the City of Dublin (Dublin, ), i, The Gilbert collection in the Dublin City Library does not contain this broadside, nor was I able to locate it in the Royal Irish academy where Gilbert was librarian for many years.

alumni Dublinenses (Dublin, ). Rev. W.M. Ball Wright, The Ussher Memoirs (Dublin, ), p. 5. Clark, William Smith, The Early Irish Stage: The Beginnings to (Oxford: Clarendon Press, ) and Greene, John C.

and Clark, Gladys L.H., The Dublin Stage, – (Bethlehem: Lehigh University Press, ) cover the periods when the Hallams would have been performing in books, when they refer to the Hallams, assume that the actor mentioned in the early Cited by: 1.

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I have no doubt that Native Son: John Updike's Pennsylvania Interviews will be equally invaluable to our understanding of the great and complex writer.

Greene and Clark in The Dublin Stage, give an idea of what these dances may have entailed when they describe the 'Black Joke' and 'White Joke' as comical peasant dances. (43) On 9 April the 'Black Joke' was performed in the dress of a.

John C. Greene's previous work on theater in Dublin in the eigteenth century—most notably his detailed calendar of The Dublin Stage,written with Gladys Clark—has established him as. Theatre: Review of John C. Greene and Gladys L. Clark's The Dublin Stage, (), by Cheryl Wanko: i (), ; review of John C.

Greene's Theatre in Belfast, () by William J. Burling: i (), 34; [Yale symposium on "Theatricality"] i; review of Holger Hanowell's critical edition of Sir Charles.

On the relationship between the London and Dublin repetoires and the difficulties involved in producing original plays in Dublin, see the introduction to John C. Greene and Gladys L. Clark’s The Dublin Stage, – a Calendar of Plays, Entertainments and Afterpieces (Bethlehem: Lehigh University Press, ).

Google ScholarCited by: 2. Literary Research Guide/N. The author entries emphasize critical commentary but also provide basic biographical information and lists of book-length primary works and criticism.

Concludes with a basic chronology of literary and historical events and a selected general bibliography. The Dublin Stage, – A Calendar of Plays. 7 John C. Greene and Gladys L. Clark, The Dublin Stage, – (Bethlehem, PA: Lehigh University Press, ), 8 John Percival, Earl of Egmont, Diary (London: Historical Manuscripts Commission, –23), 9 Noted in A Biographical Dictionary, 10 The benefit is reported in The London Stage, – John C.

Greene's previous work on theater in Dublin in the eigteenth century—most notably his detailed calendar of The Dublin Stage,written with Gladys Clark—has established him as Author: Gerben Bakker.

The Dublin stage, a calendar of plays, entertainments, and afterpieces / John C. Greene and Gladys L.H. Clark. Bethlehem: London: Lehigh University Press. Aungier Street. Revitalising an Historic Neighbourhood. A project initiated and led by Dublin City Architects Division as an action of the Dublin City Council Public Realm Strategy.

John C. Greene & Gladys L. Clark, The Dublin Stage, - A Calender Of Plays, Entertainments And Afterpieces, Bethlehem ; James Hardiman, Irish Minstrelsy, Or: Bardic Remains Of Ireland With English Poetical Translations, Vol.

1, London (Google Books). Sheldon, Ruth Sheldon Knowles - Bob Wills: hubbin' it (, Country Music Foundation Pr.) (0s) e0c0b26ea88f58dcf80c0bbepub. The Dublin Stage, A Calendar of Plays, Entertainments, and Afterpieces Charles Walters: The Director Who Made Hollywood Dance (Screen Classics) Contemporary Mise en /5(36).

[Ec1] A Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland. [Ec1] American Library Resources: [Nc1] The Dublin Stage, – A Calendar of Plays, Entertainments, and Afterpieces. John C. Greene. Gladys L.

Clark. Dublin Stage, – A Calendar of Plays, Entertainments, and Afterpieces, N Dustbooks eDirectories, K Earlier Tudors, –, Ma Early American Fiction, Q Early American Fiction, –, Qa Early American Fiction, –, Q.

‘The Repertory of The Dublin Theatres, ’, Eighteenth-century Ireland/Iris an dá chultúr, Vol. 2 (), pp Intheatre historian La Tourette Stockwell wrote of eighteenth-century Dublin that the policy of Dublin theatre managers was to copy London stage productions and that the taste of Dublin audiences was Continue.

The Corvespondence of Henvy and Sarah Fielding. Edited by Martin C. Battestin and Clive T. Probyn. The Exalted Heroine and the Triumph of Order: Class, Women and Religion in the English Novel, – By K.

Hall. A Checklist of New Plays and Entertainments on the London Stage, ‐ I By William J. Burling. The Dublin Stage, The London stage, ; a calendar of plays, entertainments & afterpieces, together with casts, box-receipts and contemporary comment.

Published The Dublin stage, a calendar of plays, entertainments, and afterpieces. Author Greene, John C., Published The Dublin Stage, NetLibr (Ebsco) LehighUPr: Gregory (Lady) Our Irish Theatre: A chapter of autobiography: NY: PDF Kindle EPub: Free: UToronto: Levey, Richard Michael, Annals of the Theatre Royal, Dublin, from its opening in to its destruction by fire, Feb ; w/occasion: Dublin.

Recent Sources for 18th-Century Studies: Bibliographical Tools. James E. May ([email protected]) Content last updated 23 April This selective checklist, partially annotated, enumerates printed sources for studying the period published since This banner text can have markup.

web; books; video; audio; software; images; Toggle navigation. Missing its title page but otherwise complete, the book is stated in a manuscript-note on page 1 to a collection of 'Scotch country-dances' popular in Dublin during The Greene and Clark (eds), The Dublin stage, CHAPTER I.

FROM TO A. D. T he year marked the beginning of a new era in musical history, for in that year the first public performance of regular opera took place in Florence, when the "Eurydice" of Rinuccini and Peri was given in honor of the wedding of Marie de' Medici and Henry IV.

of France. The growth and ever-increasing popularity of the opera, the development of.The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between and The play begins with a framing device, often referred to as the induction,[a] in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself.

The nobleman then has the play performed for Sly's diversion.

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